Iftekhar

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ettled and a man of modern thought, he encouraged his son to pursue his passion. Iftikhar had a good voice and would imitate legendary singer K.L. Saigal and aspired to become a singer.

Since in those days, Kolkatta was the hub of Cinema and Music, Iftekar’s father supported his son to try his luck in Kolkatta. With parent’s approval, a confident Ifteqar, of just 20 years, reached Kolkatta and approached HMV. Music Composer, Kamal Das Gupta, who was in charge of HMV.

Gupta was impressed by Iftekar’s voice and recorded a disc containing two songs but the disc was not a success.

Hence Iftekar’s father engaged him to a girl Sayeeda in Kanpur and asked him to follow a new career of his choice! But when Iftekar was being engaged, amid the engagement ceremony, his father received a telegram from Kamal Dasgupta asking him to report to Kolkatta immediately.

Iftekhar was overjoyed and felt he had got a singing assignment but…

After completing his engagement ritual and customs, Iftekar rushed to Kolkatta but instead of a singing assignment, he was surprised to find that Kamal Dasgupta had recommended his name as an actor in M.P. Production. Iftekar was excited but alas M.P. Production signed him but they did not make any films and one fine morning Iftekar was kicked out of the company.

Iftikhar had to struggle a lot to fetch his first film

After a lot of struggle, Iftekar got his debut film Taqrar (1944) produced by Art Films-Kolkata. The movie was a hit and next,t Iftekar got Ghar. His third film was Rajlaxmi opposite the top star of that era Kanan Devi.

 The highlight of the film was that it was produced by M.P. Production, who had earlier kicked out Iftekar from their company but after Iftekar became a star they approached him with folded hands and signed him.

The ugly Indo-Pak partition wrecked Iftekar’s stardom

When life seemed to be blooming and Iftekar turned a star in Kolkatta, life took a drastic change.

 The Indo-Pak partition wrecked Iftekar’s stardom. Kolkatta was burning with communal riots. Iftekar’s relatives moved to Pakistan, but Iftekar did not go. Instead on actress Kanan Devi’s request, he moved to Mumbai.

In Kolkatta, once Iftekar had me Ashok Kumar, hence when Kanan Devi wrote a recommendation letter to Ashok Kumar, Iftekar heaved a sigh of relief. On reaching Mumbai he met Ashok Kumar at Bombay Talkies, who welcomed him with warmth and also offered him a role in Bombay Talkies film.

The film was ironically called Muqaddar (1950) because it changed the Muqaddar (Destiny) of Iftekar. 

In the 50’s and 60’ he became a permanent fixture in Bollywood doing all kinds of character roles like Sagaai (1966), Teesri Kasam (1966), Door Gagan Ki Chhaon Mein (1964), Shehnai (1964), Apne Huye Paraye (1964), Grahasti (1963), Bandini (1963), Professor (1962), Dilli Ka Thug (1958), Jagte Raho (1956)

Other works

Iftekar taught painting to Ashok Kumar

Iftikhar, who was a good painter kept painting as a hobby and also taught painting to Ashok Kumar. Few are aware that Iftekar had painted a few paintings for the film Door Gagan Ki Chaoon Mein, a film made by Kishore Kumar.

Milestone

Iftekar became immortal as a Police Inspector with Ittefaq

Iftikhar had high regard for Ashok Kumar because he had opened the doors of Bollywood for him. The two were good friends and Iftekar had even taught Ashok Kumar to paint.

Once Ashok Kumar fell ill and the doctors advised him to drink a glass of whisky before dinner. Since Iftekar was his best friend, he would daily accompany Ashok Kumar, till he became fit and fine.

Once B.R. Chopra spotted Iftekar at Ashok Kumar’s house and was impressed by Iftekar’s regal personality. He offered him the author-backed role of a Police Officer investigating a murder mystery.

 The film was Ittefaq starring Rajesh Khanna in the lead role. The film was a taut suspense thriller with no song and was directed by Yash Chopra.

When Iftekar wore the Police uniform he looked precisely like a real cop. Further, his body language, his dialogue delivery and his histrionics gelled so magnificently in the role of a Police Officer that he was stereotyped for the rest of his career!

Among his 400 films, Iftekar must have done over 150 roles as a policeman!